Sent to secure husbands and titles, young American women explode into the tightly corseted London season of the 1870s, kicking off an Anglo-American culture clash.
Absolute VFX team completed 162 shots across four episodes of the eight-part drama.
Directed by: Charlotte Regan, Richard Senior, Susanna White
Absolute Credits:
Digital Matte Painting Artists:
Neil Miller
Claire Simond
David Gibbons
Jack Long
Paul Campion
CG Artists:
Rebekah King-Britton
Tony Atherton
Patrick Keogh
Camila Valencia
Darja Sidorova
Domantas Lukosius
Fernando Benitez
Heidi Prescott
Keith Rogers
Lucia Quesada
Megan Mclean
Ollie Grant
Rasel Hussain
2D VFX Artists:
Carl Godwin-Alvarez
Phil Oldham
Mark Pinheiro
Alice Mitchell
Becanti Wijnbergh
Cameron Shanks
Dean Yaw Adjeikum
Gabriel Sitjas I Carvacho
Gok Gursoy
Harvey David
Jonas Mcquiggin
Nick D’Aguiar
Paul Greenwood
Rahul Karavadra
Tommy Coulter-Liston
Production:
Danny Duke
Zelda Tinska
Howard Truong
Zijing Huo
Kevin Carolan
Lia Jacobs
VFX Editor:
Ana Nunes
Pipeline:
Ben Hawkyard
Originally operating within the commercial realm, circa 2015 saw the studio begin collaborations with filmmakers and content creators across feature films and episodic productions. Absolute have crafted effects across feature films featuring Hollywood stars such as Mads Mikkelsen (Return Of The Goat), Jude Law (The Nest) and Emma Stone (Maniac). Meanwhile, their episodic portfolio boasts solutions for Netflix (Adolescence), BBC (Great Expectations, Julius Caesar: Making of a Dictator and Boiling Point), Disney+ (Super/Natural) and Prime Video UK (The Rig), whilst How To Be A Person for Channel 4 won a BAFTA.
Sent to secure husbands and titles, young American women explode into the tightly corseted London season of the 1870s, kicking off an Anglo-American culture clash.
Absolute VFX team completed 162 shots across four episodes of the eight-part drama.