Our services solve collaboration end-to-end by bringing our expertise in media management, our knowledge of editing and our cutting-edge record technologies out to your location – giving you the complete experience wherever you are filming.
Fixed Rig Record
REMOTE offers our clients secure and easy access to a whole host of services all under one login through our web and mobile apps.
The platform solves collaboration end to end by bringing everyone working on the project together in one place, giving our clients the complete post production experience wherever they are. You don’t have to worry about communication between distributed teams as it’s all available on our platform.
REMOTE is available to everyone working on a project, whether they are working remotely or on-site.
We have 180 offline suites, all running Avid Media Composer with the latest hardware. Our suites have been meticulously designed to inspire and encourage creativity whilst offering our clients exceptional comfort. High-quality monitoring and Boris BCC effects come as standard. Every suite is connected to Avid NEXIS storage, allowing seamless project sharing between multiple suites. All our offline rooms are equipped with a client PC (with secure network storage for client documents), high speed internet access, a telephone, and voice over recording kit as well as additional comfortable soft seating.
All of our physical suites can also be used remotely with our ENVY Remote platform at any time, allowing full flexibility to work on site or remotely whenever you need to.
Our online team operate across ten Avid Symphony suites and two Autodesk Flame systems all connected via high performance shared storage, working at resolutions from HD up to 4K HDR and beyond if required. They offer the latest plugins from both Boris and Sapphire, as well as the highest quality broadcast monitoring available. The team are highly experienced in large-scale multi-episodic productions as well as fast turnaround ‘day of transmission’ style projects.
Our Online Editors
Grading / Colour
We have six Baselight TWO colour grading suites all with the latest Dolby and Sony monitoring allowing our grading team to work at resolutions from HD up to 4K HDR. All suites are connected to a high-speed SAN and supported by a Baselight Assist, allowing imports/exports to happen in the background without interrupting the session.
Our Broadcast division has nine sound studios, all with VO booths alongside two additional Audio Prep rooms. All our studios are 5.1 capable with three studios being Dolby Atmos 7.1.4. All suites run the latest ProTools 20.12 software with the latest plugins. As well as mix, we also offer ADR, Foley and remote voice over.
Our Audio Team
Our dedicated MCR teams work around the clock, ensuring we can support suites whenever they need it. Whether they are processing thousands of hours of rushes ready for your offline edit or delivering masters across the globe. Each of our offline buildings has its own dedicated team, ensuring edits get a personalised service from a team that knows their projects inside and out. Our finishing departments also have dedicated MCR teams that live and breath their specialisms. Our MCR teams are supported by our teams of technical supervisors and workflow specialists.
Originally operating within the commercial realm, circa 2015 saw the studio begin collaborations with filmmakers and content creators across feature films and episodic productions. Absolute have crafted effects across feature films featuring Hollywood stars such as Mads Mikkelsen (Return Of The Goat), Jude Law (The Nest) and Emma Stone (Maniac). Meanwhile, their episodic portfolio boasts solutions for BBC (Great Expectations), Disney+ (Super/Natural) and Prime Video UK (The Rig), whilst How To Be A Person for Channel 4 won a BAFTA.