Olivia Attwood’s Bad Boyfriends

Badly behaved boyfriends, cheaters and DM-sliders beware!

Olivia Attwood is here to whip eight bad boyfriends into better boyfriend shape, all at the request of their long-suffering girlfriends, whose dramatic arrivals cause mayhem.

But Olivia has her work cut out attempting to reform this wayward bunch of boys from serial cheaters and commitment-phobes, it’s time to shape up or ship out.

1 September 2024

Optomen Television

ITV 2

Ricky Martin

CAPTURE Head of Technical Operations

Toby Weller

CAPTURE Solutions Architect

Dominika Tomosvary

CAPTURE Location Supervisor

Garreth Cook

CAPTURE Location Supervisor

Hayley Dexter

Senior Producer

Gabby King

Assistant Producer

CAPTURE

CAPTURE is our specialist remote workflow division that solves all the trials of record and media management within your production.

About CAPTURE

Our services solve collaboration end-to-end by bringing our expertise in media management, our knowledge of editing and our cutting-edge record technologies out to your location – giving you the complete experience wherever you are filming.

Fixed Rig Record

CAPTURE’s record and ingest solutions are designed to overcome the challenges of fixed rig productions – creating high-resolution and proxy versions of the incoming video feeds, straight into edit-ready media – removing long and arduous backup and ingest workflows out in the field.

Media Management

Our robust verification workflows will look after all your camera media needs – backing up all cards to multiple secure locations onset, then ingesting and preparing media to go back to the edit – once all verified, cards are cleared down and returned to your team, ready to go again.

Logging

CAPTURE can offer a variety of logging options to suit every size production, from the small scale to the largest of rigs, from gallery based to a remote shoot with your camera team – we can make sure your loggers have the tools to add tags and descriptions to those important moments.

Grading / Colour

Adding a splash of colour to your project is the Grading team. Our team can design particular looks to match the visions of how you want your show to look.

We have six Baselight TWO colour grading suites all with the latest Dolby and Sony monitoring allowing our grading team to work at resolutions from HD up to 4K HDR. All suites are connected to a high-speed SAN and supported by a Baselight Assist, allowing imports/exports to happen in the background without interrupting the session.

Sonny Sheridan

Senior Colourist

Paul Fallon

Senior Colourist

Andrew Cloke

Senior Colourist

Teresa Braida

Colourist

Online

Once the Offline is completed, our experienced Online team will bring your project to life with their knowledge and skills.

Our online team operate across ten Avid Symphony suites and two Autodesk Flame systems all connected via high performance shared storage, working at resolutions from HD up to 4K HDR and beyond if required. They offer the latest plugins from both Boris and Sapphire, as well as the highest quality broadcast monitoring available. The team are highly experienced in large-scale multi-episodic productions as well as fast turnaround ‘day of transmission’ style projects.

Dicky Everton

Senior Online Editor

Luke Carter

Senior Online Editor

Adam Grant

Senior Online Editor

Barrie Pease

Senior Online Editor

Yiorgos Loizou

Senior Online Editor

David Preece

Online Editor

Louise Owen

Online Editor

Audio

Our Sound department are able to create thrilling soundscapes, record and edit voiceovers and mix the most complex of projects.

Our Broadcast division has nine sound studios, all with VO booths alongside two additional Audio Prep rooms. All our studios are 5.1 capable with three studios being Dolby Atmos 7.1.4. All suites run the latest ProTools 20.12 software with the latest plugins. As well as mix, we also offer ADR, Foley and remote voice over.